pOETRY

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PABLO NERUDA

Sonnet XVII


I don't love you as if you were the salt-rose, topaz
or arrow of carnations that propagate fire;
I love you as certain dark things are loved,
Secretly, between the shadow and the soul.
I love you as the plant that doesn't bloom and carries
Hidden within itself the light of those flowers,
And thanks to your love, darkly in my body
Lives the dense fragrance that rises from the earth.
I love you without knowing how, or when, or from where,
I love you simply without problems or pride:
I love you in this way because I know no other way of loving.
But this, in which there is no I or you,
So intimate that your hand upon my chest is my hand,
So intimate that when I fall asleep it is your eyes that close.

 

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JUAN RAMÓN JIMÉNEZ

THIS DAY THAT IS THE WHOLE OF MY LIFE
You were waiting for me within this gold
that the morning brings from the hill
of my elms in autumn (an immense wing resting on the most hidden trunk)
to tell me, warm and serene,
that one must live in gold the whole day.
This day that is the whole of my life.

 

 

 

ESTE DIA QUE ES TODA LA VillA
ME estabas esperando en este oro
que la mañana entra por el oto
de mis olmos de otoño (un ala inmensa que se posa en el tronco mas recóndito)
para decirme, calido y sereno,
que hay que vivir en oro todo el día.
Este día que es toda la vida

         

 

Good Books:

       
1984   Poetry   Cronicicle of a death foretold   Perfume   Fatelessness
-George Orwell   -PABLO NERUDA   -Gabriel Garcia Marquez   -Patrick Süskind   -Imre Kertesz

1984 - George Orwell

Part One

IT was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a meter wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.

Inside the flat a fruity voice was reading out a list of figures which had something to do with the production of pig-iron. The voice came from an oblong metal plaque like a dulled mirror which formed part of the surface of the right-hand wall. Winston turned a switch and the voice sank somewhat, though the words were still distinguishable. The instrument (the telescreen, it was called} could be dimmed, but there was no way of shutting it off completely. He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the Party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended.
Page 2
Outside, even through the shut window-pane, the world looked cold. Down in the street little eddies of wind were whirling dust and tom paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no colour in anything, ex- cept the posters that were plastered everywhere. The black- moustachio'd face gazed down from every commanding comer. There was one on the house-front immediately opposite. BIG BROTHER IS WATCHING YOU, the caption said, while the dark eyes looked deep into Winston's own. Down at street level another poster, tom at one comer, flapped fitfully in the wind, alternately covering and uncovering the single word INGSOC. In the far distance a helicopter skimmed down between the roofs, hov- ered for an instant like a bluebottle, and darted away again with a curving flight. It was the police patrol, snooping into people's windows. The patrols did not matter, however. Only the Thought Police mattered.
Behind Winston's back the voice from the telescreen was still babbling away about pig-iron and the overfulfilment of the Ninth Three-Year Plan. The telescreen received and transmitted simultaneously. Any sound that Winston made, above the level of a very low whisper, would be picked up by it; moreover, so long as he remained within the field of vision which the metal plaque commanded, he could be seen as well as heard. There was of course no way of knowing whether you were being watched at any given moment. How often, or on what system, the Thought Police plugged in on any individual wire was guesswork. It was even conceivable that they watched everybody al] the time. But at any rate they could plug in your wire whenever they wanted to. You had to live -did live, from habit that became instinct -in the assumption that every sound you made was overheard, and, except in darkness, every movement scrutinized.
Winston kept his back turned to the telescreen. It was safer; though, as he well knew, even a back can be revealing. A kilometer away the Ministry of Truth, his place of work, towered vast and white above the grimy landscape. This, he thought with a sort of vague distaste -this was London, chief city of Airstrip One, it- self the third most populous of the provinces of Oceania. He tried to squeeze out some childhood memory that should tell him whether London had always been quite like this. Were there al- ways these vistas of rotting nineteenth-century houses, their sides
Page 3
shored up with baulks of timber, their windows patched with cardboard and their roofs with corrugated iron, their crazy gar- den walls sagging in all directions? And the bombed sites where the plaster dust swirled in the air and the willow-herb straggled over the heaps of rubble; and the places where the bombs had cleared a larger patch and there had sprung up sordid colonies of wooden dwellings like chicken-houses ? But it was no use, he could not remember: nothing remained of his childhood except a series of bright-Iit tableaux, occurring against no background and mostly unintelligible.
The Ministry of Truth -Minitrue, in Newspeak*. -was startlingly different from any other object in sight. It was an enormous pyramidal structure of glittering white concrete, soaring up, ter- race after terrace, 300 metres into the air. From where Winston stood it was just possible to read, picked out on its white face in elegant lettering, the three slogans of the Party:
W AR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH
The Ministry of Truth contained, it was said, three thousand rooms above ground level, and corresponding ramifications be- low. Scattered about London there were just three other buildings of similar appearance and size. So completely did they dwarf the surrounding architecture that from the roof of Victory Mansions you could see all four of them simultaneously. They were the homes of the four Ministries between which the entire apparatus of government was divided. The Ministry of Truth, which con- cerned itself with news, entertainment, education, and the fine arts. The Ministry of Peace, which concerned itself with war. The Ministry of Love, which maintained law and order. And the Minis- try of Plenty, which was responsible for economic affairs. Their names, in Newspeak: Minitrue, Minipax, Miniluv, and Miniplenty .
The Ministry of Love was the really frightening one. There were no windows in it at all. Winston had never been inside the Minis- try of Love, nor within half a kilometre of it. It was a place im- possible to enter except on official business, and then only by penetrating through a maze of barbed-wire entanglements, steel...
* Newspeak was the official language of Oceania. For an account of its structure and etymoloiy see Appendix.

Neruda - Poetry